Saturday, July 2, 2016

Kaala Vichara

Kaala Vichara


Presented below is an overview of KAALA (Time) as defined in Shri Hari-katha-amruta-sAra of Shri Jagannatha dasaru, collected from the discourses of Shri Bannanje Govinda Acharya, and through friends’ emails.


Kaala vichara of humans

kshana  (50 micro sec)
5 kshanas = 1 truti  (0.25 milli sec)
50 trutis = 1 lava  (0.0125 sec)
2 lavas = 1 nimisha  (0.025 sec)
8 nimishas = 1 matra  (0.2 sec)
2 matras = 1 guru  (0.4 sec)
10 gurus = 1 prana  (4 sec)
6 pranas = 1 pala  (24 sec)
60 palas = 1 ghatika (ghalige)  (24 min)
30 ghatikas = half day (12 hrs)      
60 ghatikas = 1 full day (24 hours)
15 days = 1 paksha
2 pakshas = 1 maasa (month)
2 maasas = 1 rutu
3 rutus = 1 ayana
2 ayanas = 1 varsha (year)             


Kaala vichara of devatas

1 human year = 1 devata day
360 devata days = 1 devata year    [1 devata year = 360 human years]


Kaala vichara of chaturyugas

Note:   DY => devata year
            HY => human year

1 kruta yuga = 4,800 DY = 1,728,000 HY
1 treta yuga = 3,600 DY = 1,296,000 HY
1 dwapara yuga = 2,400 DY = 864,000 HY
1 kali yuga = 1,200 DY = 432,000 HY

1 maha yuga = kruta + treta + dwapara + kali yugas
1 maha yuga = 12,000 DY = 4,320,000 HY


Kaala vichara of Chaturmukha Brahma

1000 maha yugas = 1 day-time of Brahma (srushti kaala)
1000 maha yugas = 1 night-time of Brahma (dina pralaya kaala)

2000 maha yugAs = 1 full-day of Brahma = 1 dina kalpa
1 dina kalpa = 8,640,000,000 HY
30 dina kalpas = 1 month of Brahma

The thirty dina kalpas of Brahma are:

(1) Shwetavaraha
(2) Neelalohita
(3) Vamadeva
(4) Gatantara
(5) Raurava
(6) Prana
(7) Bruhat
(8) Kandarpa
(9) Sadyota
(10) Eshana
(11) Dhyana
(12) Saraswata
(13) Udana
(14) Garuda
(15) Kurma
(16) Narasimha
(17) Samadhi
(18) Agneya
(19) Vishnuja
(20) Sowra
(21) Soma
(22) Bhavana
(23) Supuma
(24) Vaikunta
(25) Archisha
(26) Vali
(27) Vairaja
(28) Gowri
(29) Maheshwara
(30) Paitra

360 dina kalpas of Brahma = 1 year of Brahma
100 years of Brahma = 1 Brahma kalpa = lifetime of Brahma
1 Brahma kalpa = 311,040,000,000,000 HY   (31,104 thousand crore years)

Brahma kalpa is followed by another 1 brahma kalpa period of Mahapralaya.
Then again srushti kaala begins with a new Brahma in position.
The entire brahma kalpa is just like one kshana for the Supreme God Vishnu.


Kaala vichara of Manvantaras

Half-day of Brahma = 1000 maha yugas = 14 manvantaras
There are 14 Manus, who are the adhipatis of these 14 manvantaras

The 14 Manus are:

(1) Swayambhuva
(2) Swarochisha
(3) Uttama
(4) Taapasa
(5) Raivata
(6) Chaakshusha
(7) Vaivasvata
(8) Savarni
(9) Dakshasavarni
(10) Brahmasavarni
(11) Dharmasavarni
(12) Rudrasavarni
(13) Devasavarni
(14) Indrasavarni


Currently we are living in shwetavaraha kalpa, vaivasvata manvantara, 28th maha yuga, kaliyuga, 5117th year.



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A brief history of UDUPI

A brief history of UDUPI



  


The meaning and origin of the word “Udupi”

Udupi is known as oDipu in the Tulu language. Shri Narayana Panditacharya, the direct disciple of Shriman Madhwacharya, in his notes called Bhava Prakasha on the Madhwavijaya, records thus:

rajatapeeThapurasya oDipu ityapabhraShTa samjnyA

The modern name Udupi must have developed from this ancient folk name.

A different etymology is provided by certain other scholars. According to them the original Sanskrit name is derived from uDupa (uDu 'star' + pa 'lord') -- lord of the stars, namely, the moon.

Udupi then refers to Shiva, who wears the moon on his head. Since there is the ancient temple of Shri Chandramauleeshwara in Udupi, the place may have been known by the name Udupi, after its ancient deity.

The author of the Madhwavijaya opines that the word is of Tulu origin. The word “Udupi” also does not seem to have been associated with Shiva anywhere else in the Sanskrit literature.

Even if the word is to be considered to be originating from a Sanskrit root, one can provide a better explanation and etymology. “Udupi” also means boat or raft in Sanskrit:

uDupaM tu plavaH kolaH

The word “Udupi” can then mean a place to which Lord Krishna came (from Dwaraka) by boat.

The Tulu word oDipu can also be associated with a more or less similar meaning. There is a temple at Malpe which is known as oDabhAnDeshvara. There appears to be some kind of relationship between the words oDabhAnDa and oDipu. Its Kannada version is “Udupa”. The root element of all these words is oDepu, meaning "cracking," or "breaking." Until the secret of this word is cracked, the origin of the modern word Udupi will remain shrouded in mystery.

This temple at Malpe is well worth a visit and appears to be of great vintage. It is only a short distance to the beach from the temple and so it is possible to walk to where Shri Madhwa saved the ship carrying the icon of Shri Krishna from being wrecked during a storm.


Shivaroopya – Shivalli

The original name of the village of Udupi is Shivalli. Later on an attempt was made to Sanskritize this name into Shivaroopya because Shiva dwelt there. The author of the Madhwavijaya refers to this name:

vedAdrisad rajatapeeThapureshvarAbhyAm |
grAmo vibhooshitataraH shivaroopyanAmA || SMV 2-10 ||

"The village stretching up to Indrali Hills in the East (present day Manipal) and presided over by Lord Ananteshwara is known as Shivaroopya."

There is a popular legend which tells us how this ancient village became Shiva's village in ancient times:

King Ramabhoja decided to perform a sacrifice and so began to plough the land in preparation. A serpent was hit by the plough and died on the spot. To atone for this sin the king constructed four shrines in the four corners of the village.

The four serpent shrines are known as muchchilkoDu, mAngoDu, aritoDu and tAngoDu.
Actually these are Skanda shrines.

About two miles to the South-East on the way to Alevoor is the muchchilkoDu shrine near KukkikaTTe. This shrine which is under the jurisdiction of Shri Pejawar Mutt has been renovated beautifully and the area looks like a peaceful hermitage.

Another Skanda shrine is located at maangoDu about three miles to the South West of Udupi. This is also renovated nicely.

About three miles to the North-East of Udupi by the side of Puttur temple on the National Highway is the aritoDu shrine. This is in very bad condition as the walls have collapsed. Also, there is no approach road.

The place known as tAngoDu which is supposed to be in the North-East corner of the village has not yet been located. It needs to be identified and renovated.

In the middle of the village King Râmabhoja worshipped Lord Parashurama in the form of a Shivalinga on a silver seat. This temple is now known to us as Shri Ananteshwara.


Shri Ananteshwara Temple



When Lord Vishnu took the incarnation of Shri Parashurama on this Earth he was "trained" by Shiva in the art of archery. To commemorate this student-teacher relationship, Lord Vishnu wanted to get himself identified with the linga so that both the teacher and the student were worshipped simultaneously by the devotees. Shriman Narayana, reclining on a serpent, came down to this temple and stayed in the linga. This is a rather unusual incident and the concept of Ananteshwara came to vogue as a result of this.

Shri Vadiraja teertha, in his masterpiece teertha prabandha extols Ananteshwara in this way:

ivaantaryaamitaaM sveeyaaM priyaan prati nibodhayan |
dayaavaarinidhiH shaiveeM shilaamaashritya shobhate |
eeSasyaaheeSapadaveem bhaasayanniva bhaavineem |
adhyaaste sheshashayanaH snigdhaaM liN^gashilaam || (I.14-15)

'The Almighty Lord got himself merged in this Shivalinga to proclaim to the devotees that he rests in the soul of Shiva also. To prove this cosmic truth Vishnu rests in this Shivalinga.'



Before the birth of Shri Madhwa, his father, Nadillaya (a.k.a. Madhya-geha bhaTTa), had worshipped this deity to beget a male child. It is believed that he used to pray to Lord Shri Anantashayana enshrined in this idol. Shri Narayana Pandita makes a reference to this in his commentary Bhava Prakashika:

svadarshanoruvratine nisheete |
praaptaaya bhogeendragato hariH prabhuH |
svaM darshayitvaa khalu kuJNjamaadhava |
dvijaaya tadvat.h pratimaaM vyadhaapayat ||

Even now the deity is known as Ananteshwara, Anantaasana and Anantapadmanabha. “Ananta” means the serpent Shesha. Hence Ananteshwara means the Lord Narayana reclining on a serpent. Ananta is also another name of Lord Vishnu. Lord Vishnu enshrined in the Sivalinga came to be designated as Ananteshwara.

Ananteshwara is a famous temple and pilgrim centre of this region. It was a centre of Vedic philosophy and formed a suitable background for the avatar of Shriman Madhwacharya.

It was because of this temple that the place was ranked as foremost among the seven centres of pilgrimage. One should not forget that the Nadillaya couple could beget an illustrious son who was destined to be the great Acharya only because of their twelve years of worship at the foot of this deity Anantashayana ("the one who reclines on a serpent"). Hence this temple has great historic significance.

Shri Madhwa used to sit in the Ananteshwara temple and teach his disciples. Even today the place where he used to sit is considered to be a holy place. The plank where he used to sit is still there but there is no icon of Shri Madhwa. At one time a beautiful icon had been prepared to be installed here, but when the time of installation came around, Shri Madhwa appeared in a dream of a swamiji and ordered, “do not put any stone on me”' thus indicating that he was, is and always present there. To this day the stone icon is kept outside and the devotees offer worship to the seat itself.

This place is very difficult for the devotee to see. One is not allowed to enter inside the temple itself, and the only way to see this place is through a small window on the southern side of the outer enclosure of the temple.

The Ananteshwara temple is an amazing place. As one enters from the street, one can see the huge linga which is deep inside the temple and lit by oil lamps. Inside the temple, but closer to the front, there is a small icon of Ganapati. To come here and pay respects to Lord Ananteshwara is a very calming experience and it is very easy for the hours to simply slip by without one noticing it.

When you step back and take in the view at the temple you can only marvel at the huge slabs of granite which make up the roof. It is the largest temple in this region in both its shape and its historic significance.


Shri Chandramauleeshvara Temple



To the east of the Ananteshwara temple stands a smaller temple wherein presides Shiva, known as Shri ChandramauLeeshvara. Because the temple is a very ancient one, precious little is known about its history.

This temple of Chandramauleeshvara is smaller than that of Ananteshwara. To enter this temple one has to descend steps. It appears that originally there must have been a tank in that place which was later filled up with mud and a temple built on top of the fill.
We read in the Madhwavijaya that the temple was originally known as mooDu (east) devaalaya (mahendra digalaya). Since it was on the Eastern side of the Chief temple Ananteshwara, it came to be referred to as the Eastern temple.

There is a special tradition the devotees participate before entering the shrine of Lord Shri Krishna. First they must visit Shri Chandramauleeshvara and then they should go to Shri Ananteshwara, and from there they should proceed to Shri Krishna Mutt.

Shri Vishvapati Tîrtha in his commentary on the Madhwa Vijaya records this custom:

rajatapeeThapure amaraalayadvayaM vartate |
tatra puurvaalayasthaH prathamato namyaH |
pashchimaalayasthaH pashchaannamya iti sampradaaya niyamaH || II.14 ||

“There are two temples, the Eastern one and the Western one. One must first salute Lord Shiva at the Eastern temple and then go to Lord Ananteshwara in the Western temple. This is the custom followed here.”

Even now the Udupi aShTa-maTha Swamijis visit the temple in this order before they ceremoniously take charge of the management of Shri Krishna Mutt during the paryaya festival.


Text source: www.dvaita.org

~~ shree madhwEshArpaNamastu ~~